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How to get a good girl voice

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After mobile apps became commonplace, people switched to using electronic tuners, she says, but these only provide an absolute indicator of pitch with no voice-specific feedback. For transgender women, seeking therapy to modulate to a higher, more feminine voice is about more than identity. Now, researchers are developing voice-training apps specifically for the transgender population in hopes of making these lessons more accessible. Speech-language pathologist Kathe Perez launched the first such voice-training app in Perez was running her private practice in when she received a call from a transgender woman who wanted help training her voice to sound more feminine.

SEE VIDEO BY TOPIC: How To Be A Trap (Girl Voice Tutorial The Easy Way)

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Modulating Voice

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It only takes a minute to sign up. I was curious how to voice my male NPCs. I don't want to fill my world with female NPCs just because I can't voice male characters. I want to get more into the roleplay aspect of the game, but my friends laugh anytime I try to do a guys voice. I want to make my characters unique as well, not just using the same tone and what not for everyone. The greatest part of this for me is just voicing males in general. This would include core races like Humans, Dwarves, elves, and also "extra" races, like goblins and Aarakocra, etc.

I don't think lowering my voice is a choice here, so I was just wondering what people had to say to help! It's difficult for me to get the "gruff and brute" voices of some of the tougher male races, so I also want to hear about how I might be able to roleplay these voices properly.

I didn't expect this to get so much attention! So, I hope whoever reads these answers gets as much help from them as I am! As a DM, I've found that trying to distinguish characters solely by changing my voice doesn't work very well. It's not especially scalable, for one - if you have a full cast of NPCs, you're likely to run out of voices you're physically capable of doing long before you run out of NPCs who need voices. Plus, depending on the voices you have to do and the length of your sessions, you can actually hurt yourself sustaining difficult voices for a long time.

And it's not just doing loud voices; one professional VA injured herself whispering. While some of the change is in the voice, the vast majority of it is in his body language - the way he holds himself, the way he moves.

You can tell which one is in control even with the sound off. When you get your body into your roleplaying, your voice will naturally follow in ways that don't require you to make a huge effort to "Do A Voice".

If you're playing a timid character, shrink down and into yourself. Hunch your shoulders, duck your head. You'll find your voice is naturally softer and likely a bit higher-pitched just due to the shape of your body. Likewise, if you want to portray a brash, bold warrior, thrust out your chest, lift your chin, and speak from your stomach.

This naturally deepens and loudens your voice, and especially if you're a woman, makes you sound more "masculine". If you're a king, command attention by speaking levelly and not especially loudly: a king knows he is so important that everyone else will fall silent to listen to him.

If you're a peasant, slouch your shoulders and slap on your favorite country bumpkin drawl. Your voice is shaped by your body. Shape your body in the form of the character you're roleplaying, and your voice will follow.

Using body language to shift your voice and roleplay characters requires that you know what body language to use in the first place. This means knowing your characters - their backgrounds, their personalities, the kinds of language they use, etc. This helps them stand out from one another even when you aren't using any special voices. For example, I had an NPC who could see all of time at once.

This meant she often jumped three or four steps ahead in conversation, answering not the question the PCs had just asked, but the one that would logically follow. She was also very distracted all the time, and would sometimes need to be snapped back to the conversation.

In a different campaign, I had an NPC whom the players adopted after he failed his villainous plot against them. He was an intelligent and haughty high elf, so when I played him, I would lean my head back to look down my nose, and speak with Sesquipedalian Loquaciousness. Using these mannerisms helped me both visually and aurally distinguish between my various NPCs, and made it more fun for the players to interact with them.

I said above to speak from your stomach. I tend to use this trick when I want to be louder, as it's the basis for stage projection, but it has the side effect of making my voice deeper. On average, women tend to speak through our noses and at the front of our mouths. Pay attention to where you feel the vibrations and the movement of air when you're talking; you'll likely find them at the front of your tongue and up in the soft palate under your nose.

Try to let your voice sit at the very back of your tongue, at the top of your throat. Instead of pushing air through your nose to talk, push it all the way up from your stomach. You'll feel your voice resonating in your throat, which has the effect of making it deeper and more masculine. Your players will likely laugh at first, as you find your way. We laughed at each other a lot back in theatre class. Just like anything new, it takes practice, and you'll sound and look a bit silly until you get the hang of it.

Practice in front of a mirror, or in the car or shower, or even with a trusted friend or two. The main thing to remember is to commit. Don't half-ass your body language; it muddies the message and doesn't help your voice cooperate.

Just go all-in, and you'll be doing awesome voices in no time - and maybe encouraging your friends to join you. I have the same problem in reverse. It's hard for me to do "feminine" voices due to my vocal register alone. When I've tried to do a specifically feminine voice the precise definition of what feminine meant for voices shifted from instance to instance , my results have been unimpressive. My big revelation was that trying to directly portray gender, in itself, was not very helpful in accomplishing my goals.

What I really wanted was a memorable, engaging character, and what really delivers that is making the voice distinctive. Something like half of my NPCs that I would consider voicing are female. That suggests that female is not a very distinctive trait to express.

I end up with better voices when I think about traits they have, especially when those traits make them different from other NPCs, and then think of vocal details that I feel fit those traits. In a current game I'm running, there is a female gnome NPC that my players interact with sometimes. She's not particularly feminine, is a very talented engineer, often loses herself in her work, and is quick to see the humor in things but doesn't fixate on it.

The vocal details that I chose to apply to her were:. These don't really describe a woman's voice in particular. But they are different from my normal voice, and from the voices I use for other NPCs. It is distinctive and memorable, and attached to a character that is a woman. They accept it not as a woman's voice, but as this woman's voice.

The above isn't meant to discourage you from trying to create voices that sound like the people you want to portray, just to emphasize that a "gendered" voice far from the only detail to focus on. To develop more masculine vocal traits, my advice is to identify a celebrity in a specific role or not and then practice delivering dialogue they've recorded that has the feel you want. Pay attention to the tone, pitch, volume, and so on, but also think about word choice, meter, and body language.

Think about which elements convey maleness, specifically, to you rather than other characteristics. When you practice delivering the dialogue yourself, it's helpful to record it and then listen back. Voices sound very different to the person speaking than to people listening, so hearing it as others will is helpful. It's also helpful to have different attempts that you can review and compare-- you might find a trick that delivers the effect that you want but that you would not have identified clearly in the original dialogue you are imitating.

And, when actually deploying your voices during game sessions, really commit to sticking with your planned voices throughout. For some NPCs I write out brief reference cards that help me remember vocal details and other character traits, and pull them out when I'm portraying that character so that they're fresh in my mind. It's easy to fall back to a compromise between your real voice and your character voice, but doing so will wipe out a lot of the subtleties that made the voice appealing and distinctive in the first place.

There isn't really an easy solution, and optimal tactics will depend on your abilities for modulating voices, your knowledge of different dialects and modes of speech, how good an ear you have for different vocabulary choices, and how your group receives what you do. Fundamentally men have deeper voices than women with rare exceptions. I'm guessing you've already tried deepening your voice, so I'll assume there's a limit to what you can do with that.

I have a relatively high male voice and I still struggle with female voices so I understand that this can be difficult, and cross-gender often sounds ridiculous even when you do have a good range because there are simply other qualities to the sounds of voices. If you are any good with dialects that can help considerably, because you are burying the oddness in a manner of speech less familiar to your group. About a third to half of my female characters have some sort of accent, be it real, made up, or real but so butchered that it seems made up.

Of course this can easily make things even sillier, so there's that. Another aspect of dialects is that, returning to vocal pitch, both men and women speak a bit higher or lower in some cultures and sub-cultures than others.

The majority of other English speaking countries predominantly speak in a higher register than most North Americans, in part because of variations in how various vowels are pronounced some New Zealanders tend to turn a lot of vowel sounds into a high "i", Rhys Darby on Flight of the Conchords is an extreme example.

A higher register male speech pattern is presumably easier for most women to get close to. A major issue with accents, however, is that if it is not one with which you can speak even wildly inaccurately without thinking too much about it, then you're really just adding one more challenge to characterization.

Personally I usually come up with an accent or other verbal mannerism for my characters as a player mostly because it makes it easier to distinguish my personality from the characters and for cross-gender characters it seems to make it a little easier for most other players to accept the gender mismatch.

Men and women typically have a few variations in typical vocabulary and idiom. An American male person is radically more likely to greet a male friend with "hey man" then an American female person is. The troubles with this are that it tends to be a fairly limited number of words, requires a good sense of what those words are, and gets pretty far into problematic stereotypes if beyond super common things.

At the end of the day, if your group is going to laugh at you for doing male voices then doing more accurate ones is not going to help very much. If you had a voice absolutely perfect the oddness of this coming from you would strike some people as funny. Fundamentally you need to get them to accept that you are doing your best. Even if they don't care about having distinct NPC's on an immersion and narrative level, they probably would like them to be distinctive so that they can tell them apart and remember which was which for pure game reasons.

And once they stop laughing at you it will be easier to practice and get better. This last suggestion is the only one I would say is generally useful; the others are ones that require abilities that come very naturally to a few people, can be learned fairly easily by others, but which are way more trouble than they are worth for some people, in some instances most people.

I tend to have the inverse problem-- depending on the state of my acid reflux, my male voice is very deep and trying to truly emulate most female voices would be some combination of ineffective, cartoonish, or unintentionally offensive.

Is My Voice Attractive?

Sex Change Handbook. Transition Diary. For the Young TS. The Zen of Transgenderism.

There are many ways to sound more feminine and you are likely familiar with one or more of them. People perceive speech as more feminine based on their personal experiences, social expectations, and social norms. Below is a brief explanation of various basic features of feminine-perceived communication based on research and norms in American English.

But for years her famous smile has been concealing some devastating secrets. With heartbreaking honesty she opens up about the end of her first marriage and how, on the edge of a breakdown, she found herself juggling her demanding career with raising her son alone. When her second marriage also fell apart - in the glare of the media spotlight - it seemed her life had really hit rock bottom. In her fully updated autobiography, Andrea writes movingly about her joys and sorrows, and about coming to terms with being a single mum again. She describes how she learns that messing up doesn't mean you're wicked - just human.

How Transgender Women Are Training Their Voices to Sound More Feminine

Teenage girls between about 10 and 16 go through adolescent voice change. But there is less research on adolescent voice change in teenage girls. Lynne Gackle in the exceptional BodyMind and Voice series has this to say about female adolescent transforming voices:. In comparisons of male and female adolescent voice change, many characteristics are found in both sexes. There seem to be four stages of change for girls, matching their menarcheal state. For singing and drama teachers it helps to know how these might manifest:. Listen for their average speaking pitch — Stage I girls will speak around Middle C or D C4 or D4 although there can be variations of up to a third either side.

Your Changing Voice

By using our site, you acknowledge that you have read and understand our Cookie Policy , Privacy Policy , and our Terms of Service. Role-playing Games Stack Exchange is a question and answer site for gamemasters and players of tabletop, paper-and-pencil role-playing games. It only takes a minute to sign up. I was curious how to voice my male NPCs. I don't want to fill my world with female NPCs just because I can't voice male characters.

Translator Emma Cavanaugh will do anything to win her ex-boyfriend back—including summoning her brother's best friend, Italian billionaire and playboy Nico Giordano, to give her much-needed lessons in the art of seducing and pleasing a man.

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Women, Find Your Voice

What the heck is that? A goose playing the trumpet? If you're going through puberty say: PYOO - bur-tee , it could be your voice.

Updated: April 27, References. The sound of your voice is determined by the size of your vocal cords and other physiological factors. While it's not possible to completely alter your voice from high to low or vice versa, there are techniques you can try to make slight changes to your pitch and volume and bring out the best in your natural voice. To change your voice, open your mouth wide when you speak and avoid talking through your nose so your voice doesn't sound nasally. Also, try breathing with your diaphragm instead of your chest when you speak, which will help you project your voice.

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Even at the highest levels of organizations, many otherwise dynamic women struggle in meetings. Their male counterparts perceive a problem, but they tend to dismiss it as resulting from timidity, defensiveness, lack of focus, or excessive emotion. Drawing on interviews, surveys, and decades of work as leadership coaches, the authors suggest steps women can take to feel more comfortable and become more effective. These changes can have profound results, enabling all team members, male and female, to contribute to their full potential. Start saying what you stand for. The people described above have several things in common. They are all successful and ambitious. They are all admired by colleagues and superiors.

To loosen-up the voice box, extend your pitch range, and help develop good a female vocalist that you like, preferably one with a relatively deep voice, and sing along. The point of this is to try to gain a higher 'baseline' pitch than you have.

Translator Emma Cavanaugh will do anything to win her ex-boyfriend back—including summoning her brother's best friend, Italian billionaire and playboy Nico Giordano, to give her much-needed lessons in the art of seducing and pleasing a man. Sex was never her thing, so if anyone is going to know how to teach her how to be bad it'll be Mr. Sex-on-A-Stick himself. Nico doesn't want any part of the crazy plan to teach Emma to be the mayor of pleasureville because not only will her brother kill him, but little does she know he wants nothing more than to taste her, touch her, and hear her moan his name. So that's a hard no

Adolescent voice change in teenage girls

But for years her famous smile has been concealing some devastating secrets. With heartbreaking honesty she opens up about the end of her first marriage and how, on the edge of a breakdown, she found herself juggling her demanding career with raising her son alone. When her second marriage also fell apart - in the glare of the media spotlight - it seemed her life had really hit rock bottom.

I once became infatuated with someone I thought I knew through the internet, but when we met and I heard his voice, everything changed. For men, an attractive voice is fairly straightforward: a lower one is good, as it indicates size, strength, and reproductive prowess or does it? But for women, it seems to be more complicated. Why is this?

The most noticeable change can be heard in their accents. Language is not static but dynamic, constantly evolving to suit the fashions of the time and this results in a shift in pronunciation.

Numerous self-help websites offer tips on how to read body language to tell if the object of our affection is interested in us. If their arms are folded, not so much. The biological gender differences in the human voice are very clear. Female voices have higher pitch and male voices have lower pitch.

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Comments: 2
  1. Kadal

    Yes, really. All above told the truth. We can communicate on this theme.

  2. Meztilkree

    Yes... Likely... The easier, the better... All ingenious is simple.

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